Machine gun the peter brГ¶tzmann octet free#

Rather than the all-out ferocious assault of one of his earliest signposts, this recording is far more spacious and episodic, slowly gathering force with an almost symphonic scope. 'Recorded at a concert celebrating the saxophonistвЂ™s 50th birthday, this is remarkably different from what might be expected. Overall, the MГ¤rz Combo is about no-holds-barred, soul-baring improvisation of the type long championed by BrГ¶tzmann. There's a brief moment where Kondo's electronically enhanced trumpet in tandem with the guitars evokes Miles Davis from his Agharta period. The brief 'Part 2' appears to have been intended as a respite from the onslaught but it doesn't hold and the band surges into the final section with guns ablaze. The music begins quietly enough with a moody dialogue between BrГ¶tzmann on bass clarinet and bassist William Parker, but this is not a group that was going to remain docile for long.

Machine gun the peter brГ¶tzmann octet free#

But, as in Last Exit, that rock energy is harnessed in the service of a greater strength - inspired free improvisation on rough-hewn structures. An all-star cast to be sure, the band had a bit of a rockish tinge with his son Caspar and Nicky Skopelitis aboard on guitars and Golden Palominos founder Anton Fier on drums. His MГ¤rz Combo seems to have been a one-shot venture. 'German saxophone behemoth Peter BrГ¶tzmann had always had great success with mid-size ensembles, from his protean Machine Gun octet in 1968 to the Chicago Tentet of the late '90s.